The life and career of 1940s sex symbol Rita Hayworth (1918-1987) is affectionately but uncompromisingly recounted in this cable TV documentary, produced by Hugh Hefner and narrated by actress Kim Basinger. Born into a show business family, Rita Cansino was still a pre-teen when she attracted the attention of Hollywood with her sultry Latin looks and her remarkable dancing skills. With her first husband, the much-older Edward C. Judson, as her manager and agent, Rita managed to land a starlet contract at 20th Century Fox, then moved on to greater glory when, signed by Columbia Pictures, she was re-christened Rita Hayworth and given a more "all-American" image via cosmetic surgery, electrolysis, and a new crop of flaming red hair. Though her career was sometimes impeded by Columbia boss Harry Cohn, who was upset that she continued to fend off his advances, Rita ultimately achieved superstardom as the alluring star of such films as Cover Girl and Gilda. Alas, her private life was never quite as satisfying as her professional one: After breaking up with Judson, she entered into a well-publicized but ultimately unhappy marriage to Orson Welles, then, in quick succession, wed a foreign prince, Aly Khan; a popular singer, Dick Haymes; and a flamboyant movie producer, James Hill. Through it all, the painfully shy and retiring actress yearned to be simply a normal wife and mother, but the pressures and responsibilities of international stardom denied her this balm. Rita's final years were clouded by Alzheimer's disease, which ended not only her career but her life. Among the interviewees in this documentary are Hayworth's daughter Yasmin Aga Khan, who has devoted her life to helping other victims of Alzheimer's, and Rita's best friend, musical star Ann Miller.

This misunderstood film is a satirical western, written, directed, and produced by Ralph Nelson. In a restless Central American nation in the 1920s, Van Horne (Robert Mitchum), a defrocked American priest, hides a gun in his Bible and a knife in his crucifix. He rescues Emmet Keogh (Ken Hutchinson), who is being held by a group of rapacious bandits who are angry that Keogh has taken a mute native girl, Chela (Paula Pritchett), away from them. Keogh, an Irishman, and his friend Jennings (Victor Buono), a British rum-runner, are captured along with Van Horne by Colonel Santilla (John Colicos), a revolutionary leader. The colonel offers to set the three men free and send them safely to the U.S. -- if they agree to kill Tomas De La Plata (Frank Langella), the crazed local strongman. De La Plata was driven mad by Santilla's followers, who murdered his father, raped his mother, and tormented his sister into suicide. Van Horne dons his priestly garb and reopens the church in De La Plata's village, thereby setting up the trap to lure in the madman.

In this well-regarded film noir thriller, Joe Barron (Glenn Ford) is a police detective whose wife Lisa (Elke Sommer) has inherited a stock portfolio from her father. Joe and Lisa go on a spending spree, but when their new holdings fail to pay dividends, Joe finds himself deep in debt. Dr. Horace Van Tilden (Joseph Cotten), a rich doctor who caters to high-society clientele, shoots an intruder in his home, and Joe is assigned to investigate; Joe discovers that Van Tilden has a lucrative sideline selling drugs, and that the shooting victim was actually an addict looking for dope. When Joe learns that Van Tilden keeps his drug money in a safe at home, he sees a way to finally pay off his debts, but his partner, Pete Delanos (Ricardo Montalban), gets wind of Joe's scheme and demands a cut of the action. Matters become more complicated for Joe when he learns that the man Van Tilden shot was married to Rosalie (Rita Hayworth), whom he loved many years ago. The Money Trap was directed by Burt Kennedy, who was best known for his witty and unconventional westerns.

Filmed in Cinerama and Technicolor, Circus World may have drawn the crowds for various reasons -- not the least, perhaps, for the big names. John Wayne stars as circus owner Matt Masters, who takes his show to Europe hoping to save it from financial ruin. Accompanying Matt, is young Toni (Claudia Cardinale), whom Matt had raised since her aerialist mother Lili (Rita Hayworth) left them years before. Just before he departs from New York, Matt is reminded that Lili may be somewhere in Germany. Upon their arrival in Europe, much of the equipment is lost when their ship sinks in a Spanish port. Matt doesn't let that get the best of them, and he is soon up and running with the show, becoming a hit throughout Europe. Against Matt's wishes, Toni trains to become an aerialist like her mother. A quiet figure in the shadows proudly watches Toni rehearse her daring routines. The writing team of Ben Hecht, James Edward Grant and Julian Halevy adapted their screenplay from a story by Philip Yordan and Nicholas Ray. Though this was not a gunslinger role for Wayne, Matt Master was not a far stretch. This could have been due to the fact that Wayne had previously worked on several projects with director Henry Hathaway and writers Hecht and Grant -- and the part was altered to suit him.

The happy thieves in this international effort are Rex Harrision and Rita Hayworth, both specialists in swiping rare art objects. Their plan to pilfer a priceless Goya involves creating a public diversion at a nearby bullring. Oh, we forgot to tell you: the film was made on location in Madrid, the better for the stars to avoid stiff taxes. Though both seem too old for this sort of fluff, Harrison and Hayworth make the most of the comic opportunities afforded them by the script. Produced by Hayworth's then-husband James Hill, Happy Thieves was based on a novel by Richard Condon, who later turned out such efforts as The Manchurian Candidate and Prizzi's Honor.

Gary Cooper stars in one of his final roles in They Came To Cordura, Robert Rossen's moody study of the thin dividing line between heroism and cowardice. Cooper plays Major Thomas Thorn, a U.S. Army officer in the expedition into Mexico against Pancho Villa. Because he hesitated during a moment of decision in a battle, he has been labeled a coward. His commanding officer, Colonel Rogers (Robert Keith), orders Thorn to recommend five men for nomination for the Congressional Medal of Honor for bravery in the battle against Villa. Angered that Thorn did not nominate him for the Medal of Honor, Rogers charges Thorn with transporting the men through a broiling and dangerous desert to the rear area of Cordura. They begin the trek accompanied by Adelaide Geary (Rita Hayworth), the daughter of a dishonored U.S. Senator, who is accused of treason since she owned the hacienda where Villa's men stayed. As they travel across the desert expanse, Thorn ponders why these men are considered heroes while he is labeled a coward. As their journey continues, the heroes turn into a mutinous rabble, with Thorn reduced to holding the group at bay with a loaded gun.

Based on Terence Rattigan's play, Separate Tables is about a number of characters and their adventures at a British seaside hotel. Among the guests are an alleged war hero (David Niven), a timid spinster (Deborah Kerr) and her domineering mother (Gladys Cooper), and a divorced couple (Burt Lancaster, Rita Hayworth) trying to re-ignite their romance despite the presence of his mistress (Wendy Hiller). All of the characters' lives become intertwined in the course of the film as the story examines love affairs and secrets. Separate Tables is a fine, textured drama, filled with terrific performances and was nominated for several Academy Awards, including Best Picture, Best Actress (Deborah Kerr), Best Actor (David Niven), Best Supporting Actress (Wendy Hiller), Best Screenplay From Another Medium, Best Cinematography and Best Music. Niven and Hiller won Oscars for the film.

Main Cast: Rita Hayworth, Frank Sinatra, Kim Novak, Barbara Nichols, Bobby Sherwood. Directed by George Sidney. Produced by Columbia Pictures/ Essex Distributing.

1957 - Columbia Pictures/ Warwick Productions

Main Cast: Rita Hayworth, Robert Mitchum, Jack Lemmon, Herbert Lom, Bonar Colleano, Bernard Lee. Directed by Robert Parrish.  Produced by Columbia Pictures/ Warwick Productions.

Jack Lemmon and Robert Mitchum star as Tony and Felix, co-owners of a tramp-steamer service in the West Indies. Threatening their friendship is itinerant trollop Irena (Rita Hayworth). Tony seethes with jealousy as Irena gravitates towards Felix, leading to a heated confrontation. Felix retaliates by blowing the whistle on Tony's under-the-counter smuggling activities. Tony in turns plots to kill his former partner, but changes his mind when Felix saves his life during a shipwreck. The supporting cast includes Herbert Lom, Bernard Lee, and Anthony Newley.

Set in New Caledonia (though filmed in Hawaii), Miss Sadie Thompson is a heavily laundered adaptation of Somerset Maugham's Rain, with Rita Hayworth in the title role and José Ferrer as the pious Alfred Davidson. To satisfy the censors, Sadie is no longer a whore but a nightclub entertainer "with a past," while Davidson is not a minister but a lay preacher. The end result, however, is about the same, with Davidson trying to save Sadie's soul, only to lose his own in the process. Aldo Ray co-stars in the beefed-up role of the marine sergeant who harbors a crush for the colorful Miss Thompson. Highlights include Rita Hayworth's rendition of the musical numbers "The Heat is On" (later parodied by Muriel Landers in the 1957 Three Stooges comedy Sweet and Hot), "Blue Pacific Blues," and ""Hear No Evil, Seek No Evil.""

"Her Salome Will Steal Your Breath Away" was the classic advertising slogan attached to this opulent Rita Hayworth epic -- a slogan which became laughable whenever a radio announcer would mispronounce Salome as "salami." Using the very sketchy Biblical story of the death of John the Baptist as its springboard, Salome depicts its title character, the stepdaughter of King Herod, as a victim of circumstance rather than a wanton temptress. Banished from Rome because of an unfortunate romance with the nephew of Caesar, Salome (Rita Hayworth) declares that all men are her enemies, but her resolve weakens when she falls in love with Claudius (Stewart Granger), the military commander of Galilee. Meanwhile, Salome's wicked mother, Herodias (Judith Anderson), plots the demise of John the Baptist (Alan Badel), who currently enjoys the protection of the superstitious Herod (Charles Laughton). At this point, the story departs radically from Scripture. Salome is no longer coerced by Herodias to demand the head of John the Baptist; instead, Herodias, on her own, promises Herod that Salome will perform the "Dance of the Seven Veils" for him -- but only if he beheads John first (Salome has been misinformed that the dance will save John from the headsman's sword). Somehow, scriptwriter Jesse Lasky Jr. even manages to concoct a happy ending for poor Salome, which is a lot more than Oscar Wilde or Richard Strauss were able to do. Considered an artistic flop in 1953, Salome seems somewhat better today, if only because of that powerhouse cast.

In this romantic spy thriller, a nightclub performer plys her trade in her husband's Trinidad bar. He is murdered by a notorious spy. Soon afterward, the police ask the widow to try to get close to the killer and gather information. Her work is nearly thwarted when her bumbling brother-in-law appears, looking to bring the killer to justice himself. This film marked the return of bombshell Rita Hayworth who had retired from movies during her marriage to Prince Aly Khan.

Main Cast: Rita Hayworth, Glen Ford, Victor Jory, John Baragrey.  Directed by Charles Vidor.  Produced by Columbia Pictures.

Main Cast: Rita Hayworth, Larry Parks, Roland Culver.  Directed by Alexander Hall.  Produced by Columbia Pictures.

Main Cast: Rita Hayworth, George Macready, Glenn Ford.  Directed by Charles Vidor.  Produced by Columbia Pictures.

Based on Terence Rattigan's play, Separate Tables is about a number of characters and their adventures at a British seaside hotel. Among the guests are an alleged war hero (David Niven), a timid spinster (Deborah Kerr) and her domineering mother (Gladys Cooper), and a divorced couple (Burt Lancaster, Rita Hayworth) trying to re-ignite their romance despite the presence of his mistress (Wendy Hiller). All of the characters' lives become intertwined in the course of the film as the story examines love affairs and secrets. Separate Tables is a fine, textured drama, filled with terrific performances and was nominated for several Academy Awards, including Best Picture, Best Actress (Deborah Kerr), Best Actor (David Niven), Best Supporting Actress (Wendy Hiller), Best Screenplay From Another Medium, Best Cinematography and Best Music. Niven and Hiller won Oscars for the film.

Thanks to its Jerome Kern/Ira Gershwin/Yip Harburg score and the luminescence of stars Rita Hayworth and Gene Kelly, Cover Girl has taken on a legendary status in recent years. In truth, the film has a banal and predictable premise: a chorus girl (Hayworth) is given a chance for stardom by a wealthy magazine editor (Otto Kruger), who years earlier had been in love with the girl's mother. Offered an opportunity to be a highly-paid cover girl, our heroine would faithfully remain with her tacky nightclub act if only the club manager (Kelly), whom she secretly loves, would ask her. He secretly loves her too, but doesn't want to stand in her way, so he fakes an argument to send her packing. You don't need a crystal ball to known that the girl and her guy will be reunited for the finale. Phil Silvers, everybody's best friend, and Eve Arden, Kruger's acid-tongued assistant, provide comic relief. The story sags badly at times, but the fans went home happy thanks to the powerhouse musical numbers, including Long Ago and Far Away and Kelly's famous "alter-ego" dance. The film skyrocketed both Hayworth and Kelly to superstardom, and didn't do Silvers any harm, either. Cover Girl is an extraordinarily lavish Technicolor production from the usually parsimonious Columbia Pictures.

Main Cast: Fred Astaire, Rita Hayworth, Adolphe Menjou, Larry Parks, Xavier Cugat, Adele Mara.   Directed by William A. Seiter.  Produced by Columbia Pictures.

Tales of Manhattan is a sumptuous multipart film centered around a formal tailcoat. The coat is specially designed for stage actor Charles Boyer, who wears it during a rendezvous with his lady friend (Rita Hayworth). The lady's husband (Thomas Mitchell) shoots Boyer, thus the tailcoat is damaged merchandise and sold at a discount to a bridegroom (Cesar Romero). When the groom's peccadillos catch up to him, the bride (Ginger Rogers) chooses to marry the best man (Henry Fonda) instead, and the coat is shipped off to a second hand store. It is purchased by a would-be composer (Charles Laughton), who wears it the night that he is to conduct his first symphony; alas, the coat is too tight and tears apart, nearly ruining the conductor's debut. Stitched back together, the coat is donated to a skid row mission, wherein the kindly proprietor gives the coat to a down and out drunkard (Edward G. Robinson) so that the shabby gentleman can attend his 25th college reunion. Later on, the coat is stolen by a crook (J. Carroll Naish) in order to gain entrance to a fancy charity ball. The crook holds up the ball and stuffs the loot in the pockets of the coat, but while escaping in an airplane he loses the outer garment. The coat floats down to an impoverished African American shanty community; a farmer (Paul Robeson) decides to distribute the "money from heaven" amongst his needy neighbors. At the end, the tattered coat adorns the shoulders of a scarecrow. Tales of Manhattan is one of the best "portmanteau" dramas turned out by Hollywood; it was directed by French expatriate Julien Duvivier, a past master of the multi-story technique.

Main Cast: Fred Astaire, Rita Hayworth, Robert Benchley, John Hubbard, Osa Massen. Directed by Sidney Lanfield.  Produced by Paramount.

Main Cast: Tyrone Power, Linda Darnell, Rita Hayworth, Alla Nazimova, Anthony Quinn, J. Carrol Naish, John Carradine. Directed by Rouben Mamoulian.  Produced by 20th Century Fox.

Affectionately Yours offers the spectacle of glamorous Merle Oberon and gorgeous Rita Hayworth jockeying for the best camera positions, virtually pushing male leads Dennis Morgan and Ralph Bellamy right off the screen! Here's the deal: Neglected wife Sue Marberry (Oberon) obtains a quickie Nevada divorce from her globetrotting war-correspondent husband Rick (Morgan). Still in love with Sue, Rick rushes home to win her back, but by now she has found solace in the arms of her new fiancee Owen Wright (Bellamy). To arouse Sue's jealousy, Rick pretends to carry on an affair with female journalist Irene Malcolm (Hayworth), a scheme that backfires when Irene decides she wants Rick for keeps. Of interest is the supporting-cast presence of Hattie McDaniel and Butterfly McQueen, two years away from their domestic duties in Gone with the Wind.

Strawberry Blonde is the second, and by far the most well-regarded, of the three film versions of James Hogan's play One Sunday Afternoon. James Cagney stars as Biff Grimes, a turn-of-the-century dentist married to onetime suffragette Amy Lind (Olivia de Havilland). A former convict, Biff has great difficulty keeping his temper--and when alderman Hugo Barnstead (Jack Carson), the man responsible for Cagney's unjust prison term, shows up one Sunday afternoon to have a tooth pulled, the pugnacious dentist begins developing homicidal urges. In a lengthy flashback, we learn that Biff and Hugo, once the best of friends, were business partners in a construction firm. When one of their buildings collapsed due to shoddy materials, Biff was sent to jail for five years, while Hugo escaped scot-free. Even worse, Hugo stole Biff's girlfriend Virginia Brush (Rita Hayworth), the "strawberry blonde" of the title. The flashback over, Biff sharkishly welcomes Hugo into his office, fully intending to bump off his old enemy. But during a reunion with his "dream girl" Virginia, Biff realizes for the first time that Amy was the right girl for him all along, and that Hugo did him a favor by taking the strident, shrewish Virginia off his hands. Letting Hugo off with little more than a sore jaw, Biff takes Amy in his arms--but not before settling a few old accounts with his fists, just for old time's sake.

1940 -  Columbia Pictures/ Franco London Films

Main Cast: Glenn Ford, Rita Hayworth, Brian Aherne, Irene Rich, George Coulouris. Directed by Charles Vidor.  Produced by Columbia Pictures/ Franco London Films.

Columbia's The Lady in Question is a remake of the French Gribouille, a Raimu vehicle from 1939. Brian Aherne plays Andre Morestan, the seeming contently paterfamilias of a bourgeois Parisian family. Summoned for jury duty, Morestan at first believes that accused murderess Natalie Rougin (Rita Hayworth) is guilty, but eventually takes pity on the homeless girl and invites her to live with his family after her acquittal. Things get pretty dicey when Morestan's impressionable young son Pierre (Glenn Ford) falls in love with the enigmatic Natalie and begins committing petty crimes to finance their elopement-leading to a situation not unlike the one that got the girl arrested in the first place! In the original Gribouille, it was abundantly clear that both father and son had a yen for their pretty guest, but this menage a trois has been toned down in the Hollywood version, with Morestan remaining more or less faithful to his long-suffering wife Michelle (Irene Rich).

Rachel Crothers' thoughtful stage play Susan and God was tastefully adapted for the screen by Anita Loos. Joan Crawford stars as Susan, whose unquestioning devotion to various religious organizations causes a great deal of strain between herself and her family. When Susan embraces a "New Thought" theological movement, she decides to apply the tenets of this new philosophy to patch up the unhappy marriages within her own social circles. She succeeds only in making things worse, and in further harming her own relationship with husband Barrie (Fredric March) and daughter Blossom (Rita Quigley). But it is the unadorned, unpretentious religious faith of little Blossom that ultimately brings Susan and Barrie together again. When Susan and God was first released in 1940, Joan Crawford's performance was occasionally compared unfavorably to that of Gertrude Lawrence, who created the role of Susan on Broadway; it was suggested by some that Crawford patterned her portrayal exactly on Lawrence's, right down to the line delivery. Modern audiences, denied the opportunity to see Lawrence's interpretation, are less inclined to downgrade Crawford's work, which rates among her best.

Main Cast: Tony Martin, Rita Hayworth, Edith Fellows, Alan Mowbray, Eric Blore, George Tobias. Directed by Joseph Santley.  Produced by Columbia Pictures.

Main Cast: Cary Grant, Jean Arthur, Richard Marthelmess, Rita Hayworth.  Directed by Howard Hawks.  Produced by Columbia Pictures.

The old west collides with the new in this fine remake of RKO's 1932 Come On, Danger!. Or, rather, veteran RKO star George O'Brien is at odds with his eventual successor at the studio, Tim Holt -- at least part of the way. They play Texas Rangers assigned to bring in suspected murderess Judith Alvarez (Rita Hayworth). But young Holt, who gets himself fired for an altercation in the local cantina, defies his older colleague and instead joins Judith's band of renegades. O'Brien is sympathetic to Judith's claim that local political boss Ben Sanderson (William Royle) is usurping the local ranches by means of phony taxes, but maintains that the girl must make her argument in court. In the end, the greedy Sanderson shows his true face and Judith and her vigilantes are found innocent of all charges. In between the action -- which is fast and plentiful -- resident RKO balladeer Ray Whitley yodels "Move Slow, Little Doggie" by Willia Phelps, and Cecilia Callejo, as Holt's love interest, performs a Mexican dance. Borrowed from Columbia Pictures, a ravishing Rita Hayworth is not the usual placid prairie flower but takes an active part in all the ridin' and shootin'. After all, as her character explains, "I wouldn't have my men do anything I wouldn't do." Renegade Ranger was filmed a third time by RKO in 1943, under its original title, Come On, Danger!, and starring Tim Holt, now a full-fledged B-Western star.

Main Cast: Charles Collins, Frank Morgan, Steffi Duna, Rita Hayworth.  Directed by Lloyd Corrigan.  Produced by Pioneer / RKO Pictures.